Idle Thoughts

Hello dear reader, the point of departure for today’s post is two quotes. The first comes from Paul Klee, ‘Art does not reproduce the visible, it renders visible.’ The second is from Marxist art critic Max Berger, which can be more or less paraphrased as art is anything that raises our consciousness. As a Marxist his definition of consciousness is more systematic and unrelated to my unforgivably vague definition. That gap between me and Berger is not worthy of comment because it is so natural. It is normal. But I often forget it. We live in the fragmentation of definitions, and consciousness neither has the associations of Marxism Berger used nor the Freudian, bourgiesie definitions he sought to overturn. Instead it’s just a pleasant mix of post-modern clutter. A bit of psychology, maybe a bit of sociology but generally consciousness exists in my mind as word. I know its definition in the abstract but practically, as here, it means just about anything. It is a symbol that points to a gap. It’s sad, in a sense. Who is Oediphus, now, but a fragment pointing to Freud?

Ah well, such is life.

This lack of substance reminds me of the other day. I was standing in the house of a partner at a respectably large and well-fed Southern man, partner at a local law firm. He had a desperate look in his eye I’ve seen in dozens of other Southern men. They will soon be unelectably and ineluctably fat. I blame it on the food. “His house should be bigger.” I nodded absentmindedly. It was time for the guests, myself included, to chat amicably, stare into the fire and miss each other’s points. “The television,” as if it needed no modifiers. Its existence served as an indictment. My eyes betrayed me with an elaborate roll. The betrayal went unnoticed. The conversation turned inexorably to a few other perceived slights. Some slights were unrelated to us, others were. I yawned. A few of the slights were based on that twenty-something, affable liberalism that can’t stand too much scrutiny.  Continue reading

Behind the Comedy of the Soul Experts

As we approach the trial of the year perhaps it would behoove us to remember another trial of a similar tone and nature: Timothy McVeigh. For now, however, I point you in the direction of the ultimate contrarian’s take. Gore Vidal begins

Toward the end of the last century but one, Richard Wagner made a visit to the southern Italian town of Ravello, where he was shown the gardens of the thousand-year-old Villa Rufolo. “Maestro,” asked the head gardener, “do not these fantastic gardens ’neath yonder azure sky that blends in such perfect harmony with yonder azure sea closely resemble those fabled gardens of Klingsor where you have set so much of your latest interminable opera, Parsifal? Is not this vision of loveliness your inspiration for Klingsor?” Wagner muttered something in German. “He say,” said a nearby translator, “‘How about that?’”

There was to be only one story: one man of incredible innate evil wanted to destroy innocent lives for no reason other than a spontaneous joy in evildoing. From the beginning, it was ordained that McVeigh was to have no coherent motive for what he had done other than a Shakespearean motiveless malignity. Iago is now back in town, with a bomb, not a handkerchief.

“I wish to use the words of Justice Brandeis dissenting in Olmstead to speak for me. He wrote, ‘Our government is the potent, the omnipresent teacher. For good or ill, it teaches the whole people by its example.’” Then McVeigh was sentenced to death by the government.